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And is there any greater role than King Lear? This week, Evelyn Krape, the award-winning Melbourne-based actor who has worked with just about everyone over the years, joins a growing list of female actors to claim the role and prove that King Lear, that ultimate in egocentric, narcissistic male leaders coming a-cropper on his flaws, is about so much more than his sex. But at the same time, she is sure the audience will take note. So much misogynism comes from a fear of losing power. Has there been a better time to put regal, toxic masculinity under the microscope?
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Sex, the Erotic Japanese Art of Shunga, the Goddess, and Lear’s “Simp’ring Dame”

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The Importance Of Goneril In William Shakespeare's King Lear | gothenburgqueerlindyfestival.com

To that perennial list of suspects thought by some to be the true authors of Shakespeare's plays - the Earl of Oxford, Christopher Marlowe, Francis Bacon - one is now tempted to add John Waters, the Baltimore film maker best known for ''Hairspray,'' the classic retro movie about early 's rock-and-roll and racial conflict. That raucous Waters sensibility -at once high-minded and low-camp -permeates this adaptation of ''King Lear,'' in which the director, Lee Breuer, reverses the sexes of the characters and moves the setting to backwater Georgia in the late 's. Her evil sons Goneril and Regan are bourbon-swilling good ol' boys who have their way with the bastard Elva nee Edmund , a hot number in tight leather jeans, in the back seat of a convertible. The fool, a transvestite wearing a tatty fur coat and wielding a dildo instead of a coxcomb, is divine, if not exactly Divine.
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Villains, Sin, and Sex in Shakespeare's Othello and King Lear

This book meets a real need. The book greatly expands the amount of material available to nonspecialists, demonstrating that there are considerably more pederastic scenes in the surviving vases than has generally been believed, and its balanced and articulate readings of the material—the authors carefully describe recurring patterns, make allowance for exceptions, discuss alternative interpretations, and do not press when the evidence only goes so far—make it a significant contribution to our understanding of Greek pederasty. The book begins with a jointly authored preface, followed by an introduction by Cantarella reviewing the textual evidence and one by Lear on the iconography of the vase paintings.
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Shakespeare uses many themes in all his play that attract audiences throughout history. The things he wrote about are as relevant now as they were in his time. Death and Sin were issues that are always around. In his plays, Shakespeare could comment on these things and. The perfect and exact Coppy, with diverse things printed, that the length of the Play would not beare in the Presentment.
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